The galleries in Berlin are currently closed to visitors until further notice in order to help contain the spread of the coronavirus. Stay healthy, STAY AT HOME, and enjoy exploring the artworks digitally here on PiB! ps: Also follow PiB on Instagram for the upcoming takeovers by gallerists & artists!
Als Schutz vor der Verbreitung des COVID-19 Virus sind die Berliner Galerien für den Publikumsverkehr geschlossen. Bleibt gesund, BLEIBT ZUHAUSE, und genießt die Ausstellungen ausnahmsweise in digitaler Form hier auf PiB! Ps: Folgt PiB auf Instagram für die kommenden Takeovers von Galerist*innen & Künstler*innen!
© Sophie Aigner, Aus Der Serie “Pelltattoos (Gips)”, 2016

Group Exhibition / Artist Talk / Book Presentation

»only just there« (gerade eben da)

Sophie Aigner & Bettina Lockemann

Opening: Friday, January 20, 2017, 19h (Facebook Event)
Exhibition: January 21 – February 4, 2017
Artist talk/book presentation État d’Urgence: Thursday, February 2, 2017, 19h
with Bettina Lockemann and Jan Wenzel / Spector Books (Facebook Event)
Opening hours: Thu-Sat 14-18h, and by appointment
Admission free
More events by LORIS

Description

only just there (gerade eben da) – an exhibition by Sophie Aigner and Bettina Lockemann – follows up with a multiplicity of conditions between presence and absence. It relates to the appearance of content and concreteness in an instant, the resulting visual presence – or its blurring.

Bettina Lockemann’s black and white photographs from the series État d’Urgence show Paris in state of emergency after the terrorist attacks of November 13, 2015. On the Saturday after, the photographer wanders around central areas and registers a city in state of shock; empty streets and shops, scarcely patronized cafes and restaurants, perplexed tourists in front of shuttered museums. At the Place de la République citizens encounter each other; maybe to commemorate or simply not to be alone. Also journalists have stationed themselves there looking for answers just as the rest of the world. The city is present, visible in the pictures, but it is not itself. The pictures show it suspended in a moment between presence and absence, only just there.

Sophie Aigner’s Pelltattoos form faces that are only partially recognizable as such. They peel from and out of the plaster, remain fragmentary, not identifiable. The color of the plaster melts into the whiteness of the wall, which makes the objects become part of the room. Körper und Schachtel assembles body fragments and abstract spatial presentations into three-dimensional objects of glass and plaster. The appearance of their visual surfaces remains ephemeral and unseizable, mediating a visual presence without being completely present.

Event Details

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